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Posts tagged with filmmaker

HFF Interview: Julian Higgins

The 2012 Heartland Film Festival is underway. We thought we’d step back a year and collect some insight from Julian Higgins, director of the Vision Award for Best Short Film winner, Thief.

Julian Higgins is a Los Angeles-based writer and director. Originally from New Hampshire, he received a BFA in Film from Emerson College and an MFA in Directing from the world-famous American Film Institute.

His AFI thesis film,  “Thief” – inspired by little-known events in the early life of Saddam Hussein – won the Narrative Gold Medal at the 2011 Student Academy Awards, as well as Best Drama and Best Director honors at the 2011 Student Emmy Awards. “Thief” also won the AFI’s Franklin J. Schaffner Fellow Award, the Vision Award for Best Short Film at the 2011 Heartland Film Festival, the Angelus Film Festival’s Triumph of the Spirit Award and 22 other prizes.  The film is currently playing festivals internationally.

On the strength of the film, Emmy-winning producer-director Greg Yaitanes invited Julian to shadow him during the final season of the acclaimed television drama series “House”.  Julian directed episode #15 of the season, which aired on April 2, 2012. In order to direct the episode, Julian used his 2011 Heartland Film Festival prize money toward his Directors Guild of America fees.

Follow @filmjulian on Twitter and check out julianh.com/

Heartland: What are some films you consider to be truly moving pictures?

Julian Higgins: Let me start by saying that I absolutely believe movies can change our lives. Not every movie does, of course, but it’s possible. Art is about change. Great films make you consider your own world in a new way, make you feel something new, make you see things in a new light… effectively, they make you into a new person. So for me, calling a film “truly moving” is a very good choice of words: you go into the theater one way and you come out changed. You can’t ever go back to the way you were before. Ironically, when movies deal with the darkness of the world and life’s most difficult struggles, they can make us feel so full of hope. In that vein, The Diving Bell and the Butterfly is one of the most truly moving films I’ve ever seen. It’s astonishing that a story about a tragically paralyzed man can also be a story about the pure joy of being alive. It’s a beautiful piece of work, and a real inspiration to me as a filmmaker.

Heartland: What have your experiences winning at Heartland and other festivals taught you about being a director?

We took a lot of risks making the film, and even though the subject matter is very foreign, the process of creating it was a personal and organic one. So it was an incredible validation to see how well the film was received.  I think “Thief” was a very full and honest expression of my voice as a filmmaker – that’s exactly the kind of work I hope to make throughout my career. I’m still a young director and there is still so much for me to learn, but now I can push forward confidently now that I’ve learned there’s an enthusiastic audience for the kind of stories I want to tell. That is priceless. Read more »

Interview with 2011 Festival Award-winning Director Afarin Eghbal

Recently we chatted with Afarin Eghbal, director of 2011 Jimmy Stewart Crystal Heart award-winning short, Abuelas. We discussed her film’s journey over the last year, and what her involvement with Heartland has meant to her personally and as a filmmaker. It’s such a reward to hear from filmmakers throughout the world who embrace our organization and its impact on film and culture with unbridled enthusiasm.

Abuelas, an animated documentary student short, looked different than other films Afarin had seen and her lingering thought upon completion was, “What if this is wrong?” Once out of school she kept her film safely tucked away, hesitant to submit it to the festival circuit. Four months after she graduated a friend asked her about the festivals to which she’d submitted. When Afarin admitted her reluctance to share Abuelas, her friend told her to forget her ego, reminding her that she’d made a promise to tell the story of the abuelas. If only one person learned about the impact of Argentina’s Dirty War, the film would have done its job

When Eghbal first discovered the story of Argentina’s Dirty War in college, she was shocked to learn that these atrocities occurred in her lifetime, yet she’d heard nothing about them. And so she set out to make an awareness film that would appeal to her peers in an engaging way. Using real-life testimonials of the grandmothers she interviewed in Argentina, this animated documentary raises issues of memory, repression and loss.

Though Afarin’s goal was to inform her peers about the Abuelas story, her film has grown beyond that audience and traveled the world, spanning age, culture and background. With each new screening the story of the Abuelas has grown within society’s collective memory, ensuring that history won’t repeat itself. Thanks to Afarin’s film, when Jorge Rafael Videla, former senior commander in the Argentine Army and the de facto President of Argentina during the Dirty War, was sentenced to life in prison in July 2012 for the systematic kidnapping of children during the Dirty War, his sentence resonated more loudly. Afarin’s film didn’t play a part in the conviction, but the voice her film gave to a buried history proves that one film can make a difference.

But Afarin submitted Abuelas and was accepted to Heartland well before her film found wild success in the festival circuit. What prompted Afarin to submit to Heartland was its mission to inspire filmmakers and audiences through the transformative power of film, which is what she’d set her heart on accomplishing in making this film. Heartland was one of the first festivals to accept her film and helped pave the way for nearly 100 other festivals to accept Abuelas. Afarin praised Heartland for its careful curation of great films from all over the world and setting a bar so high that other film festivals have to take note.

While Afarin felt a connection to Heartland before she she even submitted her film, her love and appreciation of it grew once Abuelas was accepted to the Festival and she attended in 2011. From the moment she stepped off the plane she was overwhelmed by the generous spirit that permeated every aspect of the Festival. From being greeted and embraced by the volunteers (over 700 strong) and then seeing the names of national and community sponsors and donors connected to each film, she realized how dedicated Heartland’s supporters are to amplifying and encouraging the voice of independent filmmakers.

In our conversation with Afarin, her voice constantly underlined the word generosity. All of her Heartland experiences seemed to come back to that giving spirit. She emphasized that those who give their resources and time to the Festival produce waves of impact that promoting a cycle of positive feedback and energy among the filmmakers and audiences, making Heartland an experience that can’t be replicated anywhere else. It’s what we continually hear from Afarin and other filmmakers about Heartland’s impact — it’s more than simply a film festival, it truly is a an organization that has cultural impact through inspiring filmmakers and audiences through the transformative power of film.